The Footage of the Oct. 7 Hamas Massacre: a Real-Life Horror Movie That I Hated


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There were no babies. No beheaded babies. No burnt babies in the oven.

The Israeli army decided to keep the worst of the images of Hamas massacring Israeli civilians out of its screening presented in Los Angeles on Wednesday — a compilation of video from victims’ cellphones, terrorists’ bodycams, kibbutz security cameras, city CCTV, first responder phones and intercepted conversations.

It was bad enough without them. You know without my saying so how horrible it was. Perhaps the nightmare of 1,400 people slaughtered on Oct. 7 has been digging a dark hole in your psyche, as it has mine.

The real-time images of “Bearing Witness” were very much the stuff of a horror movie — a woman in pink pajamas cowering under a desk, shot at close range. An attempted beheading of a corpse with a garden hoe. Two little boys on a kibbutz, roughly age eight or nine, who race into their safe room with their father, only to see a hand emerge from around a corner and lob a grenade inside. The father is killed. The boys were shown running out screaming, back into their home, captured from the distant vantage point of a security camera.

There was an ominous moment when a dozen women soldiers — out of uniform — gather in a corner of an unidentified room, talking in panicked tones, one of them recording on her phone. Far across the room, a Hamas terrorist appears with his machine gun. The video ends suddenly. We do not know what happened to the women.

Some of this footage has already been on social media — images of bodies littering the road near Sderot, video of young people stampeding across a desert plain as they flee the grounds of a music festival, audio of the plaintive cries of a first responder (“They’re dead, all dead”) as he discovers piles of young bodies.

And as the IDF representative at Wednesday’s screening mentioned, these images were drawn from fewer than 150 of the dead. We hear audio of a Hamas commander telling his fighters to send a corpse back to Gaza City so the crowd can do what it wants with it. You see bleeding hostages dumped like burlap sacks into the back of a pickup truck. You see many, many people burned into charred, unrecognizable remains.

What really stuck with me were some of the less obvious moments, like the jubilation of the Hamas terrorists, flashing broad smiles and stabbing the air with their guns after shooting civilians in their cars.

A dash cam recording of one such killing doesn’t show the driver, simply the car going from normal, to cracked windshield, to destroyed windshield, to the car slowly veering off the road into another car. That other car’s passenger already lies dead in the road.

A terrorist penetrates the walkway beside the simple housing on a kibbutz. A shaggy black dog stops and looks at the camera. Pow, pow, pow. The dog crumples.

In another clip, a terrorist walks over to civilians, already dead beside their cars. He goes to shoot them again, for good measure. “Don’t shoot,” says a colleague off camera, as if to say, “save your bullets.”

What sticks with me, burned into my brain, is an intercepted audio conversation between a terrorist, calling home from the attack, and his parents. He says: “Mom, I killed 10 Jews with my bare hands!” He repeats this over and over, excited by his achievement. The word “Jews” is what I hear. Also: “with my bare hands.”

“Is Dad there?” he asks. His mother in the background says, “Kill! Kill! Kill!” (This is neither an exaggeration nor ironic embellishment. That was the conversation.)

As the screening proceeded, you could hear the chants of pro-Palestinian protestors outside the Museum of Tolerance on Pico Avenue. What was their issue, exactly? That it was somehow controversial to show up and see the footage of recent atrocities? That it was a crime against the Palestinian cause to acknowledge the existence of acts that can only be described as savagery beyond the pale of human decency?

The choice to watch this footage should not be political. I did so as a journalist. And I did so as a Jew, to bear witness and understand the facts.

The current images throughout the media, of Palestinian suffering in the wake of Israel’s air strikes and incursions, are also not far from my mind. I won’t look away.

But I am glad not to see images of beheaded babies. Very glad.

People reacted to the screening in different ways. Some left before it started. Others were openly weeping. And after it was over, several were angry that the IDF did not show more. “Where were the babies?” one man shouted as he stormed out of the auditorium. “Show the rapes!” said another person, also walking out, angry.

Later, I learned that a fistfight broke out on the sidewalk outside the museum.

What, exactly, are we fighting about?

The post The Footage of the Oct. 7 Hamas Massacre: a Real-Life Horror Movie That I Hated appeared first on TheWrap.

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Alexandra Williams
Alexandra Williams
Alexandra Williams is a writer and editor. Angeles. She writes about politics, art, and culture for LinkDaddy News.

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