Inside Designer Laura Gonzalez’s Cheerfully Maximalist Paris Atelier


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Gonzalez launched her firm in 2008, at 24, while still a student at the École nationale supérieure d’architecture Paris-Malaquais, and she quickly made her reputation by sprucing up mythic Paris nightspots, such as Le Bus Palladium and Chez Régine. Her approach is a bright and cheerful maximalism that she describes as “chic mix and match,” and it is on full display in the town house.

Walls are covered with cloth in floral prints, toiles de Jouy, stripes, and damasks in a plethora of happy hues. “Fabric lightens up a room, gives texture and depth, and absorbs sound,” she says. Hallway sconces in the shape of nasturtium blossoms are of her design, as are the chandeliers, which are a collage of Murano-glass lily pads. Throughout the house there are her iconic Mawu chairs, with their sturdy seats covered in an array of rich fabrics, and her Rainbow dining table, in multicolored raku marquetry, handcrafted by the French artisan Fabienne L’Hostis. (All are available through The Invisible Collection, StudioTwentySeven, and 1stdibs, as well as on Gonzalez’s website and at her gallery on the rue de Lille in Paris.) The concept is to show an abundance of possibilities to stir her clients’ imaginations and trigger ideas. “Like, this is what it can look like,” she declares with a sweeping gesture in the sunny dining room.

The Sexy Fish screen.

Photo: Stéphane Briolant.

The Madras armchair, inspired by Punjabi wedding chairs.

Photo: Stéphane Briolant.

A pink Lilypad chandelier.

Photo: Stéphane Briolant.

Her clients are the crème de la crème of luxury and hospitality, and include the Saint James Paris, a 19th-century château-hotel near the Bois de Boulogne, which she swathed in soothing golds and creams, punctuated with jaunty prints; Dar Mima, the rooftop restaurant at Jean Nouvel’s Institut du Monde Arabe, where she conjured a romantic ode to North Africa and the Middle East; Noura, a beloved Lebanese brasserie on the Right Bank bathed in Mediterranean blues, smoky cumin, and pistachio green, which she notes is “a symbol of hope”; and Cartier, for whom she has reconceived several boutiques, including the historic rue de la Paix flagship in Paris and the Fifth Avenue mansion in Manhattan.

Graphic tile by KLD Collection defines a terrace with landscaping by Arôm Paris. Sculptural fountain by Pic Studio; antique chairs pull up to Gonzalez’s Medusa pedestal table.

Photo: Philippe Garcia; Art: Audrey Guimard/Éric Hennebert.

A mosaic sign by the front door was crafted by Pierre Mesguich.

Photo: Philippe Garcia.

In New York, she had fun swirling the building’s original neo-Renaissance design with botanical themes and modernist touches while cheekily slipping the brand’s signature prowling panther into unsuspected spots such as the monumental staircase’s jungle-green runner. Next up: the jeweler’s space on the Avenue des Champs-Élysées; the new 54,000-square-foot, two-story outpost of the French department store Le Printemps at One Wall Street; and hotels in Miami, Mallorca, Rome, and Paris. Many of these projects will appear in The Interiors of Laura Gonzalez: A Certain Atmosphere, which will be published by Rizzoli next month.

Gonzalez proudly wraps up her tour with a stop on the rooftop terrace, with its unobstructed views of the city. “What’s genius is the calm,” she says. “Here we are, in the center of Paris, and we hear the birds.” She looks out over the zinc roofs and the chestnut treetops. “We’re never going to move again.”

Laura Gonzalez’s Paris atelier appears in AD’s Style issue. Never miss an issue when you subscribe to AD.

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Alexandra Williams
Alexandra Williams
Alexandra Williams is a writer and editor. Angeles. She writes about politics, art, and culture for LinkDaddy News.

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