Emergence Magazine is an online publication with annual print edition exploring the threads connecting ecology, culture, and spirituality. As we experience the desecration of our lands and waters, the extinguishing of species, and a loss of sacred connection to the Earth, we look to emerging stories. Our podcast features exclusive interviews, narrated essays, stories and more.
Histories are enduring presences. No matter how deeply they are buried, they remain. In this week’s narrated essay, author Lauret E. Savoy meditates on the history of the Chesapeake region and the vestiges of collision and rupture that continue to mark its physical and cultural terrains. Surfacing ancient geological movements alongside the deliberate construction of race in colonial America, she considers the entwinement of tectonic and human histories—the ancestral structures that remain in plain sight and out of view.
Read this essay on the Emergence Magazine website.
Explore more stories from Shifting Landscapes, our fourth print volume.
Listen to the rest of this story on Emergence Magazine’s website or by subscribing to the podcast.
Lauret E. Savoy is the author of Trace: Memory, History, Race, and the American Landscape, winner of the American Book Award and the ASLE Creative Writing Award. She co-edited The Colors of Nature: Culture, Identity, and the Natural World, co-authored Living with the Changing California Coast, and compiled and edited Bedrock: Writers on the Wonders of Geology. Lauret’s life and work draw from her need to put the eroded world into language, to re–member fragmented pasts into present. A woman of African American, Euro-American, and Native American heritage, she explores the stories we tell of the American land’s origins—and the stories we tell of ourselves in this land.
Studio Airport is Bram Broerse and Maurits Wouters. Together with a small team of creatives, they run a design practice based in Utrecht, the Netherlands. The studio has been recognized with international awards for projects such as Hart Island Project (New York), Amsterdam Art Council, and Greenpeace International.